Dirty Laundry

If you keep getting born, it's ok to die sometimes.

I asked an old man: “Which is more important? To love or to be loved?” The old man replied: “Which is more important to a bird? The left wing or the right wing?

—Unknown (via cosmofilius)

(Source: haughtyspirit, via inhabitude)

thegetty:

"Spend five minutes with this sarcophagus and you’ll witness a whole night—and a passionate one at that. Zeus, somewhat put out because Selene (goddess of the moon) had fallen in love with the mortal Endymion, cast the beautiful young man into an eternal sleep. But that didn’t stop Selene from visiting her beloved every night. You can see her at the center of this sarcophagus as darkness falls, stepping off from her chariot. But as you look to the right, beyond the slumbering Endymion, the next day begins to dawn (too soon!), and the horses must rush the goddess of the moon away, until the next evening’s amorous encounter." 

Recommended viewing for slowartday from our antiquities curator, David Saunders.

To zoom in and let your “eyes” wander, click here.

Sarcophagus panel (detail), about A.D. 210, Roman. Marble, 84 1/4 in. long x 21 3/8 in. high. The J. Paul Getty Museum, 

thegetty:

"Spend five minutes with Joseph Chinard’s Madame Récamier. Three reasons why: 1. the virtuosity of Chinard’s lifelike carving in terracotta; 2. the sitter’s allure, which is open to interpretation—is she coy or demure?; and 3. the renown of historical beauty Juliette Récamier herself. (I’ve looked at this sculpture for many, many minutes and written about it here.)” 

Recommended viewing for slowartday from a passionate decorative arts & sculpture educator, Christine Spier.

To zoom in and let your “eyes” wander, click here.

Bust of Madame Recamier (detail), about 1801–02, Joseph Chinard. Terracotta, 24 7/8 in. high. The J. Paul Getty Museum.